We are often asked ‘what resolution do my images need to be?’. In the world of small format printing, the answer to this question is usually pretty easy: the rule of thumb is usually twice the output linescreen, or about 300-400dpi. Higher than that and the file size increases exponentially without truly increasing quality, lower than that and you may see jaggedness in edges and areas of contrast.
But in the world of large format printing this question is far more difficult.
Images on huge banners, wall graphics or fleet graphics on the side of delivery trucks can be 10 by 20 feet. At 400 dpi an image at this size would be an almost unworkable 17.2GB file size (and there aren’t very many digital cameras that can take a 4,608 megapixel image to start with).
The guidelines for determining image resolution for large format depend on 3 factors: viewing distance, the viewing conditions, and the type of image.
Viewing Distance
So how do we determine a standard for how far the viewer is standing from the image? Fogra in their Process Standard Digital document suggests that a good standard to use is diagonal of the final product — the larger it is, the further you need to stand away in order to be able to view it in it’s entirety. Below is a quick table we’ve calculated the viewing distance and the maximum resolution that can be discerned under perfectly ideal conditions:
Item | Size | Viewing Distance | Resolution (dpi) |
Postcard | 4″ x 6″ | 8″ | 859 |
Letter | 8.5″ x 11″ | 14″ | 491 |
Poster | 36″ x 48″ | 60″ (5ft) | 114 |
Transit Bus Shelter Ad | 47″ x 68″ | 82″ (7ft) | 83 |
Billboard | 588″ x 168″ | 661″ (51ft) | 11.2 |
Semi Trailer | 576″ x 120″ | 588″ (49ft) | 11.7 |
So this gives us a guideline to estimate the amount of resolution required for a given output size.
Try it yourself! The image at the top of this article has the right half reduced in resolution by half. Try backing up double the amount of distance you are currently from your computer screen. Eventually the differences in the two halves of the image disappear!
Viewing Conditions
The next consideration is how the image is viewed. Is there ample illumination? Will it be moving? Will the viewer be moving? Is it possible that the viewer may be much closer than the estimated viewing distance.
For example, consider an interior wall graphic and a semi trailer may have the exact same dimensions, but very different viewing conditions. Interior wall graphics most likely will be well lit, and viewed quite close up. So in that instance, higher resolutions would be necessary. For the semi trailer wrap it would not be as critical, since it would be moving most of the time, under variable lighting conditions.
The Image
The last thing to consider is the image itself. A low contrast or soft focus sort of image can be quite acceptable at lower resolutions, whereas an image with high contrast edges will show the effects of lack of resolution much more predominantly. Does the image have a high degree of detail that needs to show, such as hair or fabric? Fine details may require higher resolutions to render properly.
When in doubt: ask your printer. If you still have concerns about the output quality, ask for a 100% sample of the image to be printed for approval.
Get in Touch
Have a project to quote? Get in touch with a Hemlock Display print specialist. We’re here to help!
Get in Touch
Have a project to quote? Get in touch with a Hemlock Display print specialist. We’re here to help!